Ever since RuPaul’s Drag Race moved to VH1, the reruns have been aired on weird hours, so I missed the last two episodes, but was able to catch this week’s episode “9021-HO” which is predictably a take on Beverly Hills 90210. The guest judges this week were Tori Spelling and Jenni Garth, and the episode’s competition was an acting challenge – never a good showcase of the contestants. For the most part, the acting challenges are a way for audiences to see how sloppy and unprepared the contestants are, though the comedy queens manage to shine.
But in this season, the funniest queens have all been booted out, which makes the competitions somewhat tedious to watch. And add two guest judges who seem woefully underqualified for their jobs, and you get a meh episode. Spelling and Garth are game enough, but really, if the producers wanted to inject some much-needed oomph, they should’ve gotten Tiffani Theissen and Shannon Doherty. Spelling – an outspoken queer ally – can be good for some humor (when she’s self-referential, she can be surprisingly sharp and ironic), but for this episode, both actresses are supposed to “direct” the queens and give them acting tips. Tori Spelling is giving acting lessons.
Anyways, the queens are given a “script” and it’s a mess. The queens lurch through predictable sex jokes, and two stand out: Shea Couleé and Trinity Taylor (who wins). Trinity channels the extravagant slapstick of Jennifer Coolidge (Michelle Visage name checked Coolidge, too), while Shea took on the scene-stealing role of Grandrea Zuckerwoman. What’s even cooler about Shea’s performance is that she took on the role after Aja threw a tantrum after being initially cast in the role. She pouts and throws an actual tantrum, which she regrets immediately, after she realizes just how childish she looked in front of the other queens. It’s rare that the queens are so self-aware, and it’s refreshing to see Aja taking responsibility for her actions. It’s not enough to save her, but I admire her integrity, even if she banged the pooch during the competition.
Though Trinity and Shea did win, it was a hollow victory because the competition was so absurd. The runway is tied to the 90210 theme by being vaguely 1990s, which vaguely meant big hair – but then again, when does a drag queen not have big hair?
The lip synch for your life was the early 90s club classic “Finally” by CeCe Peniston. It’s a drag classic (and will forever be attached to Adventures of Priscilla, Queen of the Desert in my mind). The bottom two were Aja and Nina Bo’nina Brown, whose runway looks were okay (I guess) but failed in their performances. Nina’s runway look was the most hi-de-ous look – a sorta Cats meets Drag Race look. The makeup was disgusting and was very unattractive (it was busy and had way too much going on and her face looked more like a road map than a cat’s face)
The high point of the show was during the makeup scene, in which the queens share personal stories. Trinity’s story is especially touching as she saw her mother die when she was a child, and then she had to watch as her grandmother die. I usually find the editing during these sequences especially crass and cynical as the cutting and the splicing make it look like a chase to who had it worse. I wish the editors used a more careful hand when packaging episodes, because the impact is lessened when the sharing starts to look like a contest. There is some of that in “9021-HO” which is unfortunate because the stories are heart wrenching.
Despite its new home, Drag Race has been lackluster so far. I’m hoping the rest of the season will rally. The next episode is the comedy challenge with Fortune Feimster (I love her and she’s very, very fab). Jaymes Mansfield, Charlie Hides, and Cynthia Lee Fontaine are gone, and they were the most obvious stars of a comedy challenge. My money right now is on Trinity, who did so well in this episode, channeling comic hero Jennifer Coolidge.