The problem with reality show competitions is that sometimes the show runners struggle to come up with meaningful challenges, but often fail, coming up with stupid ideas, instead. Project Runway is a repeat offender (making dresses out of garbage, designing mail carrier uniforms, using material from hardware stores). RuPaul’s Drag Race has some goofy challenges, too – and “Draggily Ever After” is pret-ty goofy. The queens are tasked to create fairy tale princesses, and in a nod toward Disney (though I don’t think the House of Mouse was ever mentioned in the episode), each princess gets a sassy sidekick, too – sort of like the singing rodent or bird that keeps Disney princesses company.
So the queens have to be creative as well as glamorous, and not surprisingly, some queens fail, most do okay, and a couple hit the mark. During the workroom scenes, the queens chat about makeup, until the talk turns to the tragic Orlando Pulse shooting. I was nervous about the inclusion of the tragedy because often reality shows exploit tragic events to manufacture emotion; I also worry when people bring up tragic events and try to center themselves into the narrative, however tenuous their connection is to the tragedy.
It was a relief then, when the queens shared their feelings of Orlando, and it became about how the tragedy impacted the queer community. Cynthia has real, concrete stakes in the tragedy, having lost a good friend. The discussion turns to the feelings of empowerment that is integral to drag. These ladies are flouting societal rules, thumbing their noses at the patriarchy, and as Sasha Velour so sagely said, “It’s so important as queer entertainers to lead the way. We need to come together and be proudly, visibly queer.” I’ll be curious to see if the election will find its way in the show, as well, seeing how political RuPaul has been during the election year.
And even though Orlando has imbued the show some gravitas, the show is still a competition with drag queens, so there were huge doses of absurdity. When the queens were given templates to create their sidekick characters, the challenge took on a Mad Libs kind of tone, with Kimora struggling with the assignment, wondering aloud what an adjective is (Cynthia, putting on her teacher’s cap, did a great job explaining what the word meant). Kimora smugly said, “Thank god I’m pretty…”
Kimora is gorgeous, but she isn’t suited for the competition. She seems a touch bored and not up to the challenge. That she’s in the bottom two is not surprising, and I think that it should’ve been she not Jaymes that should’ve gone home last week. Jaymes was a nervous wreck last week, but I think she would’ve done better with this challenge, at least in creating the sidekick.
But Kimora’s sidekick character to her Tarzan-inspired princess was a boring, robotic mess; she read her nonsensical spiel like she was reading a ransom note.
The other queen on the bottom was Aja, who like Kimora, struggled to make any sense with her sidekick story. Choosing to be some kind of volcano princess. Though she was livelier than Kimora (which isn’t saying much, ‘cuz the RuPaul wax figure was more lively), her makeup was awful – too dark and messy – and she made the tacky mistake of wearing chaps.
The two lip synch to Bonnie Tyler’s “Holding Out for a Hero,” a choice pick. Neither queen did great, though, Kimora’s phoned-in performance sent her home. It’s always funny when gorgeous, snotty, know-it-alls go home early.
As for the winner, Trinity wins with an under the sea outfit, topped by an impressive headdress of seaside paraphernalia.
I have to say that even though Kimora’s cartoon was a disaster, none of the characters were good because the premise was destined to fail: these computer cartoons had the queen’s face inserted, and each had to give a stupid monologue to explain the relationship each sidekick has with its princess. None of the queens have displayed the kind of comedic talent of Bianca Del Rio or Pandora Boxx, but Charlie Hides’ British fairy godmother comes close to the wit the challenge was hoping to achieve.
The guest judges this week were singer/actor Cheyenne Jackson and YouTube sensation Todrick Hall, whose made a career out of creating Disney-inspired music videos, so it’s super appropriate that he’s a judge, though both Hall and Jackson have such limited screen time, that neither makes a big impression. (which is a shame, because Hall is a fabulous talent, and should be tapped to be a permanent judge)
“Draggily Ever After” is the kind of Drag Race that highlights the show at its best and its worst, and it shows off its contestants at their best and worst. The runway, for the most part, was serviceable and eye-popping, and the creative part of the challenge was a messy hot mess.